Now that your DNA fragment has been cloned into a donor plasmid, it can be rapidly shuttled into any compatible Gateway® Destination vector, which contain attR sites via LR clonase enzymes. The entry clone now has recombined attL sites flanking your DNA fragment of interest. This fragment can then be cloned into a gateway donor plasmid which contains compatible attP sites via a proprietary BP clonase (creating an entry clone). To do this your DNA fragment must first be amplified with specific Gateway attB1 and attB2 sites attached to the 5’ and 3’ ends of DNA sequence. To utilize this approach, the fragment of DNA that you would like to clone into a plasmid must already be surrounded by specific recombination sites (in this regard, not so dissimilar from restriction enzyme cloning). The benefit of Gateway® is that moving a piece of DNA from one plasmid into another is done via a single recombination reaction, drastically simplifying the process and reducing the amount of time required for cloning. Gateway® cloning is a recombination based cloning method. Gateway® Recombination Cloning Gateway cloning (Image from Plasmid 101: Gateway Cloning) (Image from Plasmid 101: Restriction cloning) Restriction cloning of your gene of interest (YGOI) into a recipient plasmid. You can find a protocol for restriction cloning and an in-depth breakdown of restriction digests on our website. Restriction enzyme cloning also leaves behind a short scar in the DNA sequence and can be time consuming compared to other cloning methods. It is important to note that restriction enzyme target sites can be repeated throughout a specific DNA sequence, which can make it difficult at times to identify compatible restriction enzymes, that cut your insert or backbone at only the desired location for your cloning project. Due to their short length, it is also easy to add restriction sites to any piece of DNA during PCR amplification, allowing for it to then be digested and ligated into your desired plasmid. You can easily move (subclone) any piece of DNA that already has restriction sites on either side of it into any plasmid that has the same sites in the same orientation within its multiple cloning site. Given its prevalence, the vast majority of plasmids used for DNA cloning and expression contain several popular restriction enzyme sites. They also cut specific target sequences, that range from 4 to 13 base pairs, and produce predictable resulting ends in the DNA fragments. Restriction enzyme cloning benefits from the hundreds of available enzymes, many of which are relatively cheap. Two pieces of DNA that have complementary overhangs, or which are both blunt-ended, can then be fused together during a ligation reaction with T4 DNA ligase. In restriction cloning, scientists utilize specific restriction enzymes to cut dsDNA of interest into fragments containing precise 5' or 3' single-strand overhangs (sticky ends), or no overhang (blunt ends). Restriction enzymes, which are naturally produced by certain bacteria and archaea, cleave double stranded DNA (dsDNA) at specific sequence sites in the DNA. Restriction enzyme (endonuclease) based molecular cloning is the "classic" cloning method, and for many reasons, remains one of the most popular today. The following guide will highlight several of the most popular cloning methods used to create recombinant DNA. Check out our blog on choosing the right cloning method for your research project. This may be due to speed, cost, availability of starting materials or just personal preference. Oftentimes several approaches will work for any specific cloning project however, it is likely that for any given project there is an ideal approach. There are many methods that have been utilized over the years to move around pieces of DNA. With molecular cloning scientists can amplify and manipulate genes of interest and then insert them into plasmids for replication and protein expression. Molecular cloning or the creation of recombinant DNA is an essential process used in scientific research and discovery.
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Most often, shoppers themselves can see the cameras and security monitors around the store. Across the industry, video surveillance worked as a key crime deterrent and evidence of theft. Retailers have depended on CCTV security for decades. Quality Engineering – Robust Technology Practice.It also has a separate parent unit so you can watch your little one sleep as long as you want. It comes with lullabies and a voice-activated mode. If you want to keep a constant eye on your baby when they sleep, you should consider a dedicated video baby monitor like the Eufy SpaceView. Or if you want to replay something that already happened after the fact. This is because you’re supposed to only look at it when something triggered an alarm in your home. The video stream on your phone can start to be delayed or choppy if you leave it on for more than 30 min. The biggest drawback in our tests is that the Nest mobile app is not meant to be used for an extended period of time. It will give you the best picture quality and the most flexibility and integration with other IoT devices around the house, but you need to understand the limitation that Nest can have. We’ll say this one more time: the Nest indoor camera was not built as a baby monitor. Things to know before using Nest as a baby monitor Really, this is the best camera that you can get at the moment. And the zoom is particularly impressive as it goes all the way up to 8x the default image! The Nest camera is a 130° diagonal wide–angle, so the zooming can be useful to see your baby more clearly. The camera will automatically switch to night mode if the light is too dim in your baby’s room.Īnother good feature of the Nest cam is the ability to remotely pan, tilt, and zoom the camera as needed via the mobile app. Here again, Nest outperforms the competition with a crystal clear picture. The Nest camera offers infrared night vision so you can clearly see your baby even in the dark or low light. If you’re having dinner outside, you can just check on your baby with your phone to make sure the babysitter managed to put them to bed on time. And because it can stream on the Internet, you can access the video feed even if you’re not home. You’ll need a decent WiFi connection at home to fully enjoy it, but it wasn’t a problem in our tests. Assuming that you bought your mobile phone in the past 4 years, the picture will look great on your screen. You get a 1080p high definition picture, which is more than any non-WiFi baby video monitor can produce. In fact, it’s on par with the iBaby Care M7. The audio and video quality with the Nest cam is excellent. If it’s something simpler and less expensive that you’re looking for, we recommend you check the Eufy SpaceView. Using a Nest camera as a baby monitor isn’t for everyone, but if you like tech gadgets and already have other IoT devices around your house, it’s a very serious contender for the top stop on our list of best baby monitors. For half the price of the Nanit Plus Smart Camera, you get a camera that’s just as good as the best in class with full 1080p HD video. Instead of trying to sell your used video monitor on eBay, the Nest camera can become part of your home security system.Īnd then there is the price. It also means that you’ll be able to repurpose the Nest camera once you don’t need it as a baby monitor anymore. With Nest, you get a smart camera that can connect with a range of other services, such as Amazon Prime and Google assistant. Yes, the Nest camera wasn’t built to be used as a baby monitor, and it lacks some of the most basic functionalities that other monitors can offer (more on that below), but it’s also so much more than just a baby monitor. Your baby falls back to sleep and you can go back to your room worry-free. Just whisper “Hey Alexa, order some diapers from Amazon Prime and get them delivered first thing tomorrow morning.” to your Nest cam while holding your baby and you’re all set. You go to their room to hold and soothe them and realize that you out of diapers. Picture this: it’s late at night and your baby is crying. Our Hands-on Review of the Nest Baby Monitor In 1964 half of the American population watched the boys play. THE BEATLES Twist & Shout (1963 UK first press 4-track 7 mono EP with four prong centre, THE PARLOPHONE CO LTD & Recording First Published text but without. Esta es la versión más conocida de "Twist and Shout". It shows in beautiful photographs reproduced on-the-page the group’s journey from the backstreets of Liverpool and Hamburg to their sell-out concerts in the Shea Stadium in America and their quest for musical perfection. The Beatles, que solían abrir sus actuaciones en directo con «Twist and Shout», grabaron una versión de la canción para su primer álbum, Please Please Me, y la publicaron como sencillo en los Estados Unidos el 2 de marzo de 1964. The recording session for that album was their first album session, and is. It was covered by The Beatles, with John Lennon on the lead vocals, and originally released on their first album Please Please Me. It was originally recorded by the Topnotes and then The Isley Brothers. It shows in beautiful photographs reproduced on-the-page the groups journey from the backstreets of Liverpool and Hamburg to their sell-out concerts in the. Más adelante, la versión de Chaka Demus and Pliers alcanzó en enero de 1994 el primer puesto en las listas del Reino Unido.Įl patrón de su armonía, melodía y ritmo estaba inspirado en las progresiones armónicas de las canciones latinas, cuyo exponente más reinvindicativo fueron los acordes de la canción tradicional mexicana "La bamba" que había popularizado en Estados Unidos el cantante Ritchie Valens en 1959. 'Twist and Shout' is a song written by Phil Medley and Bert Russell. Songs similar to Twist and Shout by The Beatles, such as White Room by Cream, Born to Be Wild by Steppenwolf, Bad Moon Rising by Creedence Clearwater. Provided to YouTube by Universal Music GroupTwist And Shout (Remastered 2009) The BeatlesPlease Please Me 2009 Calderstone Productions Limited (a division. La canción fue también interpretada por The Mamas & the Papas, en su álbum Deliver (1967), y por The Tremeloes. La versión más conocida es la grabada por The Beatles, con John Lennon en la voz principal, y que se incluyó en su primer álbum Please Please Me. It was earlier a hit for the Isley Brothers and originally by the Top Notes. Fue titulada originalmente como Shake It Up, Baby, y grabada originalmente por The Top Notes luego fue versionada y conocida mundialmente por The Isley Brothers y The Beatles. Twist and Shout is not the Beatless song. Twist and shout es una canción compuesta por Phil Medley y Bert Russell. Other universities ( 7 or less students transferred) : Uni Indiana- Bloomington, Arizona Name of university total 13 total 14 total 15 The above tuition fees only are for students enrolled in 15 units per semester. Visit local universities: UC Berkeley, San Francisco State University, UC Davis, etcĬost comparisons of a 4 Year Bachelor Degree in English-speaking countries.Pre-register for next semester DVC classes early.Systems and therefore transferable towards your Bachelor degree Study 2 pre-selected courses ( 6 units) which are transferrable to the CSU and UC.Provides academic skills and personal confidence through tutorials, study techniques,Īcademic success seminars and other study success assistance.Prepares you for a successful transition to DVC.95% of IEC students transfer to DVC or another college/university.Complete the highest level of English at IEC ( Advanced B) and enter DVC directly.Student activities program – Continue learning and practising outside the classroom.IEC – International Education Center at DVC Performing Arts Center, Student clubs and sports facilities. Orientation, counseling, visas, housing, health and employment. ISAS Program: International Student Admissions and Services to help with Bridge Program for academic readiness at DVC. Academic English language programs to prepare you for study at DVC. You need a certain the GPA ( Grade Point Average) from 2.0 to 3.8.īe a full time student at DVC when TAG is written Will have had to have completed 60 UC transferrable units Santa Barbara, UC Merced, UC Irvine, UC Santa Cruz andĪpply for the TAG in September (1yr in advance) International Student Admissions and ServicesĨ5% of all UC transfers are from the CCC systemĪ Transfer Admission Guarantee (TAG) guarantees youĪdmission into the 3rd year of the Bachelor Degree.Ĭurrently, DVC has TAG Agreements with UC Davis, UC Looking ahead in 2020, we’re focused on making YouTube a place where everyone has a voice and can see the world as we: After the acquisition, founder Chad Hurley became CEO, then Salar, and I was incredibly honored to become YouTube’s third CEO six years ago.įast forward to today, and YouTube has more than two billion monthly users around the world, and 500 hours of video uploaded every minute. I, along with Salar Kamangar, made the case to bring the companies together. While traditional media often showed polished and perfected versions of life, this medium was different it had a raw, honest, and authentic feel.Īs YouTube began to take off, it became clear that the company would need significant capital investment to support its growth, so YouTube decided to sell to another company. These videos entertained us, but they also showed there was something very human about connecting through online video. But what surprised me even more was that so many others wanted to watch these videos about everyday life: funny dances, kids making cute unexpected comments, and, of course, lots of cat videos. Much to our surprise, users all over the world wanted to upload their videos to share their stories. Just miles away at Google’s headquarters, I had begun working with colleagues to see how people would use online video. Soon after, the first video - “Me at the zoo” - was uploaded, and before the end of the year, the site was receiving millions of views a day. Its founders wanted to create a way for people around the world to share videos. On February 14, 2005, YouTube was registered as a website. The generator will produce a formatted MLA citation that can be copied and pasted directly into your document, or saved to MyBib as part of your overall Works Cited page (which can be downloaded fully later!).15 years ago today, YouTube took a small step toward starting something big. Then either search for the source, or enter the details manually in the citation form. Books, journal articles, and webpages are all examples of the types of sources our generator can cite automatically. Scroll back up to the generator at the top of the page and select the type of source you're citing. It's super easy to create MLA style citations with our MLA Citation Generator. ⚙️ How do I use MyBib's MLA Citation Generator? The Works Cited page contributes to the overall grade of a paper, so it is important to produce accurately formatted citations that follow the guidelines in the official MLA Handbook. It's also easier to keep citations organized and in the correct order. Automating this process with a citation generator is easy, straightforward, and gives accurate results. Writing citations manually is time consuming and error prone. □ Why should I use a Citation Generator? It is also important at this level to learn why it's critical to cite sources, not just how to cite them. Ironically, MLA style is not actually used all that often beyond middle and high school, with APA (American Psychological Association) style being the favored style at colleges across the country. MLA style is most often used by middle school and high school students in preparation for transition to college and further education. □□ Who uses an MLA Citation Generator? The citations on a Works Cited page show the external sources that were used to write the main body of the academic paper, either directly as references and quotes, or indirectly as ideas. The generator will take information such as document titles, author, and URLs as in input, and output fully formatted citations that can be inserted into the Works Cited page of an MLA-compliant academic paper. An MLA citation generator is a software tool designed to automatically create academic citations in the Modern Language Association (MLA) citation format. However, there is no time saved setting individual fixture times by hand with only four units. 2 setting a 1 second Wait Time for Fixture 2, 2 second Wait for Fixture 3 and the final head Wait time to 3 seconds would give you finished sequence. You could also create a single cue with all your fixtures going from 0% to 100%. Another simple example: If you wanted 4 fixtures to fade up in sequence, you might create a 4 step chase. These programming tools have the power to create spectacular lighting effects and are different names for a complex timing control that is quick to use. Aaargh – now I have to deal with all this?įortunately, the default setting on lighting consoles is to set Global times for every fixture and attribute, with the possiblity of zooming in and fiddling with individual times, leaving the other times set globally. You could set individual Fade In/Out and Wait/Delay times for each moving light and each attribute. Colour, Gobo, Pan, Tilt, Everything.Īll of a sudden, things have got complicated. Professional moving light consoles have the ability to set fade times for individual fixtures and – wait for it – individual attributes. Understanding the simple use of Wait In/Out times helps us when it comes to controlling lighting cue transitions for each fixture. Wait/Delay times are also important in the creation of chases, which we will cover another time. These are simple illustrative examples that could be achieved using follow-on cues, but more complex combinations of Fade In/Out and Wait In/Out create nice changes in a single cue. Or maybe dimmer intensities from the previous scene should not start fading out until your new scene has completely arrived (Wait Out). Perhaps you want some moving heads to fade up, into view, before moving to their positions (Wait In). Wait In and Out delays are useful for fine tuning the actions of a transition. Ok, so you might be wondering why you would want a cue that doesn’t Go when you tell it to. Wait Out allows you to set a delay, similar to the Wait In time, between the Go action and the outgoing transition. Wait In allows you to set a delay between the cue action (GO) and the start of the Fade In transition. The default Wait In time is usually 0 seconds – Hit GO and the Fade In and Fade Out times start NOW. When you fire a lighting cue, press a button or push a fader up, you expect things to happen straight away. Moving light attributes that are in the outgoing scene are also subject to fade out times. The Fade Out time doesn’t just apply to fixtures that are actually faded out. This could be our Dimmer 0 again or different level such as 50%, set in the next cue. The Fade Out time is the measure of an outgoing cue. This might be dimmer 75% (as set in the next scene) or any other moving light parameters – Tilt Center Stage, for example. Fade In or Fade Up Timesįade In is the time between the start of a incoming transition, such as Dimmer back to 0%, and it’s completion. Let’s have a look at the simplest cue timing parameters before we go on to using time with intelligent lighting. While cue timings are important when working with conventional fixtures, the extended dynamics of moving lights make effective transitions a top priority. Dramatic crashes between contrasting environments or subtle shifts of focus on the stage. Multi scene shows rely on changes in the lighting and getting from A to B can be done in different ways. The new Timeline window, seen at PLASA, soon to be available on the MagicQ software courtesy of Cham Sys Why is time important in modern lighting?Ĭue fade times have long been a part of conventional lighting design. Today we are going to focus on lighting cue timing (rather than chase times )and learn some of the options to improve a scene transition. Use of fade times and creating well structured transitions is just as important and it can make the lighting of the smallest show much more professional. Setting lighting levels to create scenes is only part of the lighting designer’s toolkit. Once the lighting designer has chosen fixtures and hanging positions (and the the lighting system works ), the real design fun begins with the lighting plot. This article looks at the importance of time in lighting design and console programming for moving lights plus some practical uses for cue timing controls. Detection of potentially harmful or illegal content or behaviourĭetection of potentially harmful or illegal content or behaviour (e.g. Identification and removal of known illegal child sexual exploitation and abuse (CSEA) and terrorist content. This Directory categorises the products and services offered by UK-based Safety Tech providers as follows: Automated identification and removal of known illegal content They also help to tackle disinformation, and false or misleading narratives. The technologies and services work to reduce the risk of users, including children, being exposed to harmful content, contact or conduct such as grooming, bullying, radicalisation and/or viewing self-harm material. They help law enforcement and platforms to identify and stop some of the most serious illegal content such as child sexual exploitation and abuse, and terrorist imagery and material. The technology and services that these organisations provide are valuable to government and society. Safety Tech providers develop technology or solutions to facilitate safer online experiences, and protect users from harmful content, contact or conduct. Introduction - How safety tech can help you Mike Freer MP Minister for Exports (Department for International Trade)Ĭhris Philp MP Minister for Tech and the Digital Economy (Department for Digital, Culture, Media & Sport) 2. Our trade and investment teams stand ready to help connect you to these outstanding UK companies, and we look forward to working with you to help make the internet safer for everyone. It is a sector ripe for investment and with considerable export potential to markets with similar concerns about safety. The companies listed in this Directory offer innovative products and services which are already helping to deliver safer online experiences for millions of users around the world. Recognition of the role that Safety Tech will play has spurred this government to introduce a number of practical measures to grow the industry further, including establishing the Safety Tech Innovation Network, the Online Safety Data Initiative and the Safety Tech Challenge Fund. Safety Technologies will play an increasingly important role in supporting compliance with the new regulation and preparing businesses to do their part in building a safer online environment. However, we cannot achieve its aims on our own. This Bill sets out a new regulatory framework for online safety and companies’ responsibilities to keep UK users, particularly children, safer online - including robust action to counter illegal content and activity. In May 2021, we published the draft Online Safety Bill. In recognition of the dangers online, the UK government and other governments across the globe are committing to taking action to safeguard citizens against online harms. Indeed, at the recent G7 Safety Tech Summit, Julie Inman Grant, Australia’s eSafety Commissioner, argued that we are fast approaching the tech industry’s ‘seatbelt moment’, when the industry realises putting in guardrails is essential and not a luxury. There is increasing momentum globally for user safety to become a core design consideration of the internet and a priority for technology companies. The growth of the UK industry and the launch of this directory could not be timelier. As a result, the UK is a world-leader in Safety Technology, with UK companies comprising over 25% of the global market. The UK’s behavioural and social sciences, criminology and law also support an ideal innovation landscape that results in cutting edge technologies delivered at pace. Our success in this sector draws on UK expertise across data science, cyber-security, artificial intelligence, and natural language processing. In 2021, sector revenues increased by 39%, and the sector now employs over 2,200 people across the UK. Since the publication of the first directory just over a year ago, UK Safety Tech has continued to reach new heights. These include the automated identification and removal of illegal imagery, the use of age-assurance to ensure appropriate usage of online content, network filtering and services that identify and mitigate disinformation. Safety Tech encompasses a range of technologies and solutions facilitating safer online experiences. We are delighted to present the latest version of the UK’s Safety Tech Directory. We know that nowadays more and more gamers only play online, so there is. We are the oldest site that still has all the cheats and codes for the older platforms aboard. The first time you do this, you'll get a life max up pot. Join forces with guild members! Tabs for selecting the type of assistance required on the top and performing other required tasks, list of games on the left pane and explanations about the selected game on the right pane. stand under the hole in the ceiling and use the gravity boots to knock his chair up into the air.After that you have a random chance to get one of three other items: Welcome to cheatingdome, your magical spot on the web for all the cheats, tips & secrets for your videogames we are publishing new cheats, hints and secrets every day since 1998. Vampire apocalypse psx dark arcana: Trash of the count's family (백작가의 망나니가 되었다) is a korean isekai webnovel series written by yoo ryeo han (유려한) in the action, comedy, and fantasy genres. if this is your first visit, be sure to check out the faq by clicking the link above.You may have to register before you can post: Vampire apocalypse psx dark arcana: Mar 31, 2022 Join forces with guild members! There are currently 7 volumes, some chapters have been translated into english and translations of other chapters. Lord Of Arcana Psp Game from Welcome to cheatingdome, your magical spot on the web for all the cheats, tips & secrets for your videogames we are publishing new cheats, hints and secrets every day since 1998. You may have to register before you can post: Welcome to cheatingdome, your magical spot on the web for all the cheats, tips & secrets for your videogames we are publishing new cheats, hints and secrets every day since 1998. Dark age of camelot cheats/hints dark ages episode 1: Its user interface is divided into three main parts: We know that nowadays more and more gamers only play online, so there is. Trash of the count's family (백작가의 망나니가 되었다) is a korean isekai webnovel series written by yoo ryeo han (유려한) in the action, comedy, and fantasy genres. One blog explains how to force Enter event by using this FM. ForĬall function 'SAPGUI_SET_FUNCTIONCODE' exporting functioncode = 'ABCD' It covers both using ACS and running the yum command manually. ACS package management yum window For more information on updating, please see the procedure for updating packages. Since the function SAPGUI_SET_FUNCTIONCODE is not implemented for allįront end platforms, you may need to use a substitute solution. Answer yes or no to this screen, and Yum will output its progress. This field is changed in the single flow logic module:Īnd the default function code "=" is processed: To run screen sequences without user input. This module simulates user input in the command field. The documentation for this FM: Functionality call the below code at the return button and it’s working!!!.Function module ‘SAPGUI_SET_FUNCTIONCODE’ call the below code at the return button and no refresh as well~ĬALL METHOD cl_gui_cfw=>flush.NET 4. Version 2.6 or older versions can be used with XP if. using LEAVE TO SCREEN 30 0 instead of LEAVE TO SCREEN 0 will call another 300 with the initial screen and conflict with the original 300~ I woulf screen shot the options on the Terminal Connect Command having chosen TN5250E and also screen shot the drop downs for Terminal Model and Code Page and send to the AS400 admins to get all the info. TN5250 is a terminal emulator which provides access to an AS/400.LEAVE TO SCREEN 30 0 at return button of screen 200 Call this method along with refresh_table_display is not working.Call refresh method at PBO of screen 200 is not triggered at all.Call refresh method at PAI of screen 200 is triggered, but not working.Call refresh method at end of double click Event for screen 300 is triggered, but not working.I try the below approaches: Call Method grid->refresh_table_display Refresh ALV Report after return from dialog screen( question link) Refresh ALV Grid after execution of secondary screen ( question link) To refresh the ALV grid display ( question link).Many very similar issues had been brought out like the below questions: But it’s quite annoying and not user-friendly. TN3270 TN5250 VT Terminal Emulation z/Scope Web Browser Workspace Main Toolbar Navigation Section Refresh. Call screen 200 when double-click a single line at screen 300, and the user can modify already existed address details at 200 and click return then get back to screen 300.Īt above point 3, the newest modification at screen 200 will not be reflected when back to screen 300 (already update the global data used by ALV grid at screen 300), now an extra ‘Refresh’ button has been created to achieve this refreshment.Button ‘View Address’ will call screen 300 to display lists of already maintained addresses.Button ‘Create/Modify Address’ will call screen 200 to support single address maintenance.Screen 300-View already maintained addresses using grid refer to cl_gui_alv_grid. Screen 200- Single address maintenance screen.and purchase org, provides buttons to create/modify/view address, etc. Screen 100- The main screen holds 1st/2nd level key fields along with Vendor no.At vendor master screen enhancement, I create several customized screens to achieve the below purposes: We wanted to see if she could help accept the award, but with her health, she can’t commit to a lot. I’m in touch with her manager, and James has been in touch with her. James was able to jump in and as a few questions. We ended up filming her singing and talking, and it ended with her in the living room with her family. It was an organic thing and we just happened to tag along because we wanted her on camera. She goes every year. And so she told James that if he wanted to come, he could and he could film there. They help Mexican American children get immersed into their culture, and it helps take away the shame of being Mexican American. For the bookends, an organization called Los Cenzontles is close to her heart. She didn’t want to be interviewed for our film. She is all about family and she gets joy from that. The beauty of the documentary is Linda is her own narrator and when we see her, she’s in Mexico surrounded by family, but it’s not a tragic story that’s being told. We were blessed to have Dolly Parton in that opening to kind of give those few pieces of dialogue that helped push that forward into the opening of the film. All of a sudden you get that this was a big deal and she was a big deal. We had a great archival researcher who finds all these pieces. Right off the bat, if you don’t know who she is, you hear the song and you see that she was on all these TV shows. But it’s this reintroduction of who she is. I’m not sure which one started that opening. We have a brilliant editing team, Jake Pushinsky and Heidi Scharfe. It’s 1975 and he introduces Linda who sings “You’re No Good”, which, when you’re talking about connecting to audiences, everyone has heard that song, but they don’t know the voice. It’s healing for the viewer. That’s what connects you most to them their stories and their struggles. When you hear someone expressing what they’re going through in their life, their music, and their art, it’s healing for that person. What intrigues you about telling these stories?Ī lot of times you want to do artists who are legendary artists who need that definitive documentary on their careers or their lives. It’s not just about putting them on this pedestal you want to highlight what parts of their life we can connect with. We were able to get moving on it right away. The first thing we did was go out to dinner and talk about Linda all night. But the directors were missing the link of financing, which is always, for me, the toughest part of getting these films made. Linda’s lawyer told them to speak to us and so we partnered with them. We started working on it and we heard she was in talks with (other) directors and we had to step away because someone beat us to it. With Linda being female in this male-dominated industry and finding a way to stay true to herself, her passion and love for singing and music were all that drove her. What is it about this artist and their story? What links it to today? James Keach, the other producer, and I were looking at artists from that era, and they wanted to do a Linda Ronstadt documentary. A lot of what CNN likes and what I like is tying it to today. With Linda, it was one of those things where CNN was our co-producer. You mention wanting to introduce Linda to younger generations, and you’ve worked on documentaries about David Crosby and George Harrison. When we started on this, a lot of the younger members of the team didn’t know who she was, and that’s the beauty of doing these films - trying to reintroduce younger generations to these artists because there’s so much there to explore. I’m happy the documentary has done so well. Last year, the documentary won two Critics Choice awards, and this year, it’s nominated for a Grammy. Farinola talks about how the film came together, how Keach managed to get Ronstadt on camera, and whether there’s a chance Ronstadt would make an appearance at the Grammys this weekend. |
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